In 1947, the author's grandfather, Arsène Schrauwen, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a modern utopia in the wilderness — but not before

Coupling the grand guignol morality of Paul Schrader and Martin Scorsese’s Taxi Driver with the squashed black-and-white perspectives and grotesque human physiognomy (and humanity) that defines Chester Gould’s Dick Tracy, Martí’s The Cabbie (starring the eponymous “hero” known only as the Cabbie) was first...

Featured in this issue: An in-depth, personal conversation between Kate Beaton (Ducks: Two Years in the Oil Sands, Hark! A Vagrant) and Sarah Glidden (Rolling Blackouts), from the Pizza Island comics collective, about depicting history, humor, and social

From the late 1950s to the mid-70s, work by contributors like Allen Ginsberg, William Burroughs, Amiri Baraka, Eldridge Cleaver, Tim Leary, Dennis Hopper, Jean Genet, Jerry Rubin, Bernadette Devlin, and Germaine Greer regularly appeared in the countercult

Back to the beginning! See the original hippie days (and hippie daze) of the unrelated Brothers and watch as Shelton shifts from stoner slapstick to both sitcom and satire, building a broad approach that would let him comment comedically through these hapless mouthpieces for...

In this volume: What profound insights can Krazy glean from an art exhibit of the old masters? What happens when Krazy applies for a job as a debt collector and discovers the biggest debtor is Ignatz? What’s with all the balloons? And volcanos? Why...

Go Figure collects 44 “social surrealist” figurative paintings, spanning 1987–2023. All are in eye-popping color: many depict a crowd in observational tableaux, each figure a character by virtue of dress, body language, and interactions with each other, a

In 1969, with its revolutionary superhero line well established, Marvel took a chance on the kind of supernatural, EC-style anthology series that had been banned since the formation of the Comics Code in the 1950s. Tower of Shadows featured a staggering array of artists...

Never Again Will I Visit Auschwitz is an act of self-discovery and the resuscitation of historical memory. At its heart is the intersection of a genocidal political moment in 20th century history and the authorÕs own family history. Told from the perspectives of four...

When Richard Sala passed away in 2020, he left behind a uniquely eldritch body of graphic novels and illustrations, fueled by macabre whimsy and a love of dark mysteries and vintage monsters. Like David Lynch, Sala was a painter who turned to a storytelli

Walt Kelly's newspaper comic strip Pogo was a platform for Kelly to express political satire and commentary via a wildly entertaining, motley group of swamp critters. He tackled many of the sociopolitical issues of his day: the Red Scare, civil rights, the environment, consumerism....

Amélie is a brilliant woman trapped in the restricting social mores of high Dutch society in the mid-16th century. Her marriage to Hans, a swashbuckling merchant, is a terrible match. While he charms the townsfolk, at home he is her intellectual inferior

Hyaku has been betrayed. A fearsome killer, her body more machine than flesh, she has learned the truth: Her human body parts were bartered away when she was a baby, and what remained was left for dead. Filled with incandescent rage, Hyaku embarks on...

It’s Donald Duck’s fierce ancestor—played by Donald himself—versus evil medievals in a much-requested miniseries! When Viking raids capture half of Scotland, it’s up to Commander Andold “Wild Duck” Temerary, his super-strong knightly pal Little Bo, and his brainy fiancée Lady Aydis to keep the...

In a dystopian future located in a parallel reality, scavengers rule the Earth: pals like Mickey and Goofy are salvaging rare fuel from the seafloor, and rogues like Peg Leg Pete are fighting to get it first! One day the realm is rocked by...